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DELUTS | FILMTONE | LOOK LIBRARY | CANON - PB

DELUTS | FILMTONE | LOOK LIBRARY | CANON

Incorporating part of the NEW DELUTS FILMTONE (In-depth recreation of some classic film stocks. Note, film profiles in this set have been created including transforms).

For the entire FILMTONE set with separate transforms, Real film grain, Gate masks and 8mm scans please see https://jamesmiller.sellfy.store/p/filmtone or download the brochure https://jamesmiller.sellfy.store/filmtone/

Upgrading from DELUTS | FILMTONE | LOOK LIBRARY | CANON set, will give you a 60% discount on the NEW DELUTS FILMTONE set.

 

Supplied in 2 Lut resolutions:
- DELUTS FILMTONE FILM100 LOOK LIBRARY CANON x33.zip
- DELUTS FILMTONE FILM100 LOOK LIBRARY CANON x65.zip

 

FOLDERS:

DELUTS FILMTONE FILM100 LOOK LIBRARY CANON/
> DELUTS FILMTONE CANON CLOG2 C2
>DELUTS FILMTONE CANON CLOG3 C2

DELUTS FILM100 LOOK LIBRARY CANON/

CANON CLOG/
> Canon Cinema LOG 1
> Canon Cinema LOG 2
> Canon Cinema LOG 3

DELUTS CANON LEGACY SET/
> 1DC 1DX CLOG
> CLOG CINGAM C300

 

Canon PF3 Camera Picture Profile/


Generally x65 is used in DaVinci Resolve, x33 in FCPX and Adobe Premiere. Please save your work regularly when working with LUTs in Premiere.


DELUTS FILMTONE 
KODAK VISION3 • KODAK PORTRA • KODAK GOLD • KODAK EKTAR • KODAK EKTACHROME • FUJI ETERNA • FUJI F SERIES • FUJI PRO  • ILFORD DELTA • ILFORD HP5 PLUS  • ILFORD SFX 200 • ILFORD XP2 • KODAK BW400CN • KODAK TMAX


DELUTS FILM100 BASE STOCK LOOKS
AGFA PRECISA 100 • AGFA VISTA 200 • FUJI 160 • FUJI 400H • FUJI 800Z • FUJI ASTIA 100F • FUJI CHROME • FUJI FP-100C • FUJI SUPERIA 100 • FUJI SUPERIA 400 • FUJI SUPERIA 1600 • ILFORD DELTA • ILFORD NOIR • KODAK KODACHROME • KODAK PORTA 400 NATURAL COLOR • KODAK PORTRA 160 • KODAK PORTRA 400 • KODAK PORTRA 400 ULTRA COLOR • KODAK PORTRA 400 VIVID COLOR • POLAROID CLASSIC • POLAROID INSTANT • ASTIA Soft • CLASSIC CHROME • Eterna Cinema • PRO Neg Hi • PRO Neg Std • PROVIA Standard • Velvia Vivid


ELEMENTS LOOKS
A new LUT Looks colour base inspired by minerals. Some have stong gamma curves and colours.

Amesite • Anandite • Ardaite • Beryl • Bismuth • Brookite • Brucite • Cadmium • Carminite • Cerium • Creedite • Crocoite • Diamond • Edenite • Fluorite • Galaxite • Gembone • Gold • Gossan • Humite • Indite • Indium • Iranite • Jarosite • Kanoite • Kassite • Kinoite • Lazulite • Lópezite • Magnesium • Margarite • Microlite • Mosesite • Mullite • Neptunite • Nickel • Obsidian • Osmium • Osumilite • Painite • Palladium • Pascoite • Pyrope • Quintinite • Rhodium • Rutile • Shigaite • Silicon • Simpsonite • Thorite • Titanite • Topaz • Umbite • Upalite • Uranium • Vanadium • Vulcanite • Weissite • Xenotime • Zincite • Zircon • Zorite

 




CANON DSLR CLOG3 CAMERA PROFILE
Canon PF3 Camera Picture Profile

CLOG3 CCG LOG.pf3
CLOG3 CCG REC.pf3

Check your Canon camera supports .pf3 profiles. Download one of Canon’s and try.

Loaded directly into the Canon camera that accepts .pf3 picture profiles. Use Canon Utilities to transfer.


Note: The Canon Picture Profile 'CLOG3 CCG LOG.pf3' is Designed to work with Canon's native CLOG3 Cinema Gamut Technical Transform Luts or DELUTS Canon Cinema LOG 3 versions.





EXAMPLES OF FILMTONE

 KODAK 5219 INVERSION
https://vimeo.com/695873264/16cbefa5bf

https://vimeo.com/693054981/bac2d3ab34

DELUTS FILMTONE
https://vimeo.com/692174831/1b53031518


EXAMPLES OF FILM100 LOOK LIBRARY

Some examples are in the Videos above and here.

DELUTS | MULTIVERSE
https://vimeo.com/393282028/d991dff293

https://vimeo.com/332830889/1d664fe021

DELUTS | FILM100 | MULTIVERSE | LIGHTROOM
https://vimeo.com/394017185/370dcbc529

PANASONIC HLG | DELUTS | LOOKS EXAMPLES 
https://vimeo.com/392779710/533b85874c

PANASONIC HLG | DELUTS | PALMA
https://vimeo.com/392773722/3e15dd9f63

PANASONIC HLG | DELUTS | SUNSET
https://vimeo.com/392751752/92585a1e4f

PANASONIC HLG | DELUTS | PIER
https://vimeo.com/392712496/8d99514c73

Canon CLOG
https://vimeo.com/392011901/07dc48ba39


Add a layer above the applied Lut (or 2nd serial node) to control how bright the scene with the distribution of brightness using curves. General balancing of different shots should be controlled on the 1st Node or Layer 1 under the Lut the simplest way using curves. 



Copyright 2022, DELUTS
James Miller


Process letter relates to negative inversion processing or scanning systems and variations in that pipeline. Manufacture brand names are used for reference only. We are not affiliated, associated, or in any way officially connected with Eastman Kodak, FUJIFILM Corporation, Ilford Photo Harman Technology Ltd. Logos and images are registered trademarks of their respective owners.

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