AUDIO DESIGN HANDBOOK by H.A. Hartley - Vintage Hi-Fi Tube Audio Book

AUDIO DESIGN HANDBOOK” by H.A. Hartley (1958, 226 pages, Gernsback Library No. 71).

FROM THE PREFACE

The aim of this book is to bring together in compact form all the material necessary for designing an audio installation of the type known as "high fidelity."

TABLE OF CONTENTS

Chapter 1: Perception of Sound

Characteristics of musical instruments. Harmonic range of various sound sources. Harmonics. The frequency range of the chief musical instruments. Characteristics
of the human ear. Loudness and intensity. Ear response vs. volume level. Phonic
level. Interference. Standing waves. Masking effect. Combination or Subjective
tones. Reaction of the ear to complex sounds. Basic requirements for fidelity of
reproduction. The listening room. The music room.

Chapter 2: Audio Amplifiers: The Output Stage

Design considerations. Power output stages. Triodes vs tetrodes Tube transconductance. Power supply stabilization Single-triode output stages Single-tetrode output stages. Power output and harmonic distortion. Push-pull triode output stages.
Matching tubes. Push-pull tetrode output stages. Class B and class AB output stages. Output triodes in class A. Push-pull operating conditions of output triodes. Push-pull operating conditions of output tetrodes.

Chapter 3: Audio Amplifiers: Inverters and Drivers

Inductive phase splitters. Stage gain. High permeability cores. Center-tapped choke.
Vacuum-tube phase splitters. Self-balancing inverter. Schmitt inverter. Split-load phase inverter. Balancing circuit components. Split-load inverter with direct-coupled amplifier. Size of components in plate and grid circuits of the direct-coupled amplifier. Cathode-coupled phase inverter. Drivers. Transformer coupling. Overall gain. Instability. Push-pull drivers. Design sequence.

Chapter 4: Audio Amplifiers: Voltage Amplification

Resistance-capacitance-coupled triodes. Source impedance. Grid-to-cathode impedance. Input resistance. Coupling capacitors. Motorboating. Signal and supply voltage requirements. Resistance-capacitance-coupled pentodes. High-frequency attenuation. Value of the plate load. Bass amplification. Techniques for applying screen voltage. Decoupling. Resistance-capacitance-coupled phase inverters.

Chapter 5: Amplifier Design

Selecting a phase inverter. Checking performance. Checking stage gain. Component
tolerance. Use of additional stages. Using negative feedback. Full development of the design for a high-grade 20-watt amplifier. Choosing the output stage. Tube characteristics. Triode vs. tetrode output. Eliminating distortion. Ultra-Linear operation. Positioning the transformer screen-grid taps. Driving voltage required. Power and distortion. The Ultra-Linear transformer.

Chapter 6: Audio Transformers

Iron-cored transformers. Transformer characteristics. Self-capacitance and leakage
inductance. Transformer efficiency. Transformer ratios. Design characteristics. Power transformers. Core size. Core materials. Interstage transformers. Output transformers. Methods of winding. Testing and measuring audio transformers. Testing transformer frequency response. Checking interstage transformers. Distortion due to a transformer. Parasitic oscillation. Miller effect.

Chapter 7: Negative Feedback

Positive and negative feedback. Amplifier stability. Phase shift and time constants.
Application of negative feedback. Slmple current feedback. Cathode-circuit
arrangements. Triode-connected tetrodes and pentodes. Single-stage feedback. Feedback across a push-pull stage. Two-stage feedback. Ultrasonic oscillation. Amount of feedback. Bass cut filter. Staggered response. Stabilized feedback amplifier. Bass attenuation and phase-shift nomogram.

Chapter 8: Filters and Tone-Controls

Network components. Active and passive networks. Two- and four terminal networks.
Transducers. Low-pass filter. High-pass filter. Bandpass filter. Trap filter. Basic tone control circuit. Attenuation and boosting. Bass cut control. Treble cut control. Circuit Q. Attenuation curves.  Rate of attenuation. Simple tone-control amplifier. Terminal impedance. Bass boosting. Amount of boost. Response curves of the tone-control amplifier.

Chapter 9: Amplifier Power Supplies

Half-wave rectifier. Thermionic rectifier. Metal rectifier. Capacitive load. Waveform at
the output of the rectifier. Bridge rectifier. Full wave rectifiers and their output waveforms. Voltage doubler. Capacitor input filter. Rectifier output voltage. Choke input filter. Two-stage choke-input filter. Decoupling network using a V-R tube. Decoupling filter. Stabilizing supply using a triode. Iron-cored inductor characteristics. Transformer and choke construction.

Chapter 10: Speakers and Enclosures

Limitations of frequency response curves. Polar curves. Distortion arising from cone
deformation. Speaker damping. Loose vs. tight suspension. Power-handling capacity of speakers. Cone materials. Visual appraisal of a speaker. Speaker impedance. Impedance curves of speakers. The baffle and speaker impedance. Summary of design features for baffle-loaded speakers. Bass-reflex enclosure. Dividing networks. Constant-resistance network. Horn-loaded speakers.

Chapter 11: Measurements and Testing

Meters for voltage, current and resistance. Moving coil meter. AC meter. Measuring
resistance. Bridges. Vacuum-tube voltmeters. Oscillators and oscilloscopes. Frequency response. Measurement techniques. Interpretation of waveforms. Second harmonic distortion. Third harmonic distortion. Fourth harmonic distortion. Fifth harmonic distortion. Second plus third harmonic distortion. Third plus fifth harmonic distortion. Square wave testing. Phase measurement.

Chapter 12: High Fidelity - Hail and Farewell

High fidelity. Some thoughts on frequency range. Undistorted range. More about
speakers. Types of spiders. Tangential arm spider. Free edge suspension. Channels of purity. Speaker coloration. The cone, the coil and distortion. Introducing a compliance into a voice coil. Audio furniture problems. Planned layouts. Possible speaker locations. Bass and baffles. Bass loss with finite baffles. Enclosure resonance. Nodal lines in a flat baffle. The Baffle.

INDEX

The original book was scanned and converted into this digital book in Adobe Acrobat .pdf format.  In order to view this file you will need to have Adobe Acrobat Reader installed on your computer.
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