DELUTS | FILM100 | CREATIVE LUTS

DELUTS | FILM100 | CREATIVE LUTS | Looks for any footage

Finishing Luts and general use LOG Creative LUTs

Use the finishing Luts over the top of the standard manufactures REC709 LUTs to quickly give another level of colour to your work or now version 1.1 for use with X-Rite & Datacolor colour balanced footage.

Use the FILM100 LOG luts over LOG footage and adjust as necessary.

- 'DELUTS FINISHING LUTS' are ideal for using on the top of existing footage to give a new look or as simple as iPhone footage. Try them also with Cine-like camera settings.



Please Read Carefully -

New colour transforms and gamma curves on v1.1
- DELUTS FINISHING LUTS 1.1 x17
- DELUTS FINISHING LUTS 1.1 x33
- DELUTS FINISHING LUTS 1.1 x64

Added into the 1.1 version:
- ROLLEI REDBIRD 400
- ROLLEI CR200
- LOMOGRAPHY REDSCALE XR 50-200
- LOMOGRAPHY LOMOCHROME XR

Works over any footage but also when using X-Rite & Datacolor colour charts with the DaVinci Resolve 'Color Match' system.
(Use REC709/REC709 for DaVinci Resolve ColorChecker)

Version '0' and 1.0 are available to download and have less gamma curve adjustments making ideal for using over the top of standard footage. But please use all of the sets as they work well together.


In the download you will see:

- DELUTS FINISHING LUTS x17
- DELUTS FINISHING LUTS x33
- DELUTS FINISHING LUTS x64
(FILM100 Original finishing LUTs')

- DELUTS FINISHING LUTS 1.0 x17
- DELUTS FINISHING LUTS 1.0 x33
- DELUTS FINISHING LUTS 1.0 x64
(FILM100 Standard finishing LUTs, slight gamma curve shift over the original set. Files Start with 'FL')

- DELUTS FINISHING LUTS 1.1 x17
- DELUTS FINISHING LUTS 1.1 x33
- DELUTS FINISHING LUTS 1.1 x64
(FILM100 Transforms and gamma curves changed, files Start with 'REC709')

- DELUTS FILM100 LOG x17
- DELUTS FILM100 LOG x33
- DELUTS FILM100 LOG x64
(FILM100 General LOG LUTs)

- DELUTS FILM100 LOG B x17
- DELUTS FILM100 LOG B x33
- DELUTS FILM100 LOG B x64
(FILM100 General LOG LUTs, LOG B pulls down the highlights with a softer rolloff  and softens the blacks whilst pulling them up)

Also in this set.
DELUTS OVERLOOK ORIGINALS including 'DELUTS Overlook KODAK 005' thanks to Jason Vong.


Supplied in 3 Lut resolutions x17, x33, x64

- Use x17 resolution for CC Premiere Pro, although you can load x33 the memory buffer fills up fast and can hang the application.

- Use x33 for FCPx.

- Use x64 for DaVinci Resolve.



DELUTS FILM100

There are 119 film looks suppled. You will notice ‘PUSH’ and ‘PULL’ as well as ‘STD’ with some of the Luts, these are variations on characteristics when you push or pull film. This set also has variations from set to set with different base transforms and different gamma curves.








FUJI ASTIA Soft

FUJI CLASSIC CHROME

FUJI Eterna Cinema

FUJI PRO Neg Hi

FUJI PRO Neg Std

FUJI PROVIA Standard

FUJI Velvia Vivid

AGFA PRECISA 100  

AGFA VISTA 200 STD  

FUJI 160c PULL 1  

FUJI 160c PULL 2  

FUJI 160c PUSH 1  

FUJI 160c PUSH 2  

FUJI 160c STD  

FUJI 400H PULL 1  

FUJI 400H PUSH 1  

FUJI 400H PUSH 2  

FUJI 400H STD  

FUJI 800Z PULL 1  

FUJI 800Z PUSH 1  

FUJI 800Z PUSH 2  

FUJI 800Z STD  

FUJI ASTIA 100F PULL 1  

FUJI ASTIA 100F PULL 2  

FUJI ASTIA 100F PUSH 1  

FUJI ASTIA 100F STD  

FUJI CHROME STD  

FUJI FP-100C PULL 1  

FUJI FP-100C PULL 2

FUJI FP-100C PUSH 1  

FUJI FP-100C PUSH 2  

FUJI FP-100C STD  

FUJI SUPERIA 100 PULL 1   

FUJI SUPERIA 100 PULL 2  

FUJI SUPERIA 100 PUSH 1  

FUJI SUPERIA 100 PUSH 2  

FUJI SUPERIA 100 PUSH 3  

FUJI SUPERIA 100 STD  

FUJI SUPERIA 400 PULL 1  

FUJI SUPERIA 400 PUSH 1  

FUJI SUPERIA 400 PUSH 2  

FUJI SUPERIA 400 STD  

FUJI SUPERIA 1600 PULL 1  

FUJI SUPERIA 1600 PUSH 1  

FUJI SUPERIA 1600 PUSH 2  

FUJI SUPERIA 1600 STD  

ILFORD DELTA PULL 1  

ILFORD DELTA PULL 2  

ILFORD DELTA PUSH 1  

ILFORD DELTA STD  

ILFORD NOIR 1  

ILFORD NOIR 2  

ILFORD NOIR 3  

ILFORD NOIR 4  

ILFORD NOIR 5  

ILFORD NOIR 6  

KODAK KODACHROME PUSH 1  

KODAK KODACHROME PUSH 2  

KODAK KODACHROME STD  

KODAK PORTA 400 NATURAL COLOR PULL 1  

KODAK PORTA 400 NATURAL COLOR PULL 2  

KODAK PORTA 400 NATURAL COLOR PUSH 1  

KODAK PORTA 400 NATURAL COLOR PUSH 2  

KODAK PORTA 400 NATURAL COLOR STD

KODAK PORTRA 160 PULL 1  

KODAK PORTRA 160 PULL 2  

KODAK PORTRA 160 PUSH 1  

KODAK PORTRA 160 PUSH 2  

KODAK PORTRA 160 STD COLD  

KODAK PORTRA 160 STD  

KODAK PORTRA 400 PULL 1  

KODAK PORTRA 400 PULL 2  

KODAK PORTRA 400 PUSH 1  

KODAK PORTRA 400 PUSH 2  

KODAK PORTRA 400 STD  

KODAK PORTRA 400 ULTRA COLOR PULL 1  

KODAK PORTRA 400 ULTRA COLOR PULL 2  

KODAK PORTRA 400 ULTRA COLOR PUSH 1  

KODAK PORTRA 400 ULTRA COLOR PUSH 2  

KODAK PORTRA 400 ULTRA COLOR STD 

KODAK PORTRA 400 VIVID COLOR PULL 1  

KODAK PORTRA 400 VIVID COLOR PULL 2  

KODAK PORTRA 400 VIVID COLOR PUSH 1  

KODAK PORTRA 400 VIVID COLOR PUSH 2  

KODAK PORTRA 400 VIVID COLOR STD  

KODAK VISION 2383 CP1 PUSH  

KODAK VISION 2383 CP1  

POLAROID CLASSIC A   

POLAROID CLASSIC B  

POLAROID CLASSIC C  

POLAROID CLASSIC D  

POLAROID CLASSIC E  

POLAROID CLASSIC F  

POLAROID CLASSIC G  

POLAROID CLASSIC H  

POLAROID INSTANT A PULL 1  

POLAROID INSTANT A PULL 2  

POLAROID INSTANT A PUSH 1  

POLAROID INSTANT A PUSH 2  

POLAROID INSTANT A PUSH 3  

POLAROID INSTANT A STD  

POLAROID INSTANT B PULL 1  

POLAROID INSTANT B PULL 2  

POLAROID INSTANT B PUSH 1  

POLAROID INSTANT B PUSH 2  

POLAROID INSTANT B STD  

POLAROID INSTANT C PULL 1  

POLAROID INSTANT C PULL 2  

POLAROID INSTANT C PUSH 1  

POLAROID INSTANT C PUSH 2  

POLAROID INSTANT C STD

ROLLEI REDBIRD 400

ROLLEI CR200

LOMOGRAPHY REDSCALE XR 50-200

LOMOGRAPHY LOMOCHROME XR





© DELUTS / JAMES MILLER 2020
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