DELUTS SONY SET

DELUTS SONY SET free upgrade to
DELUTS | FILM100 | SONY | MULTIVERSE.

Reference: https://sellfy.com/p/G0iN/

Please use coupon code at checkout for immediate download.
Coupon found as text file under the download options for this set.

'DELUTS FILM100 SONY MULTIVERSE free upgrade.txt'


/// Note:
The archive can still also be downloaded.


DELUTS | FILM100 | SONY | MULTIVERSE
DELUTS | FILM100 | SONY | MULTIVERSE

Please Read Carefully -
In the download you will see


- Slog2 SGam3Cine
- Slog3 SGam3Cine
- Matrix and Looks
- FINISHING LUTS
- Photoshop / Lightroom ACR profiles 


Supplied in 3 Lut resolutions.

- DELUTS FILM100 SONY x17
- DELUTS FILM100 SONY x33
- DELUTS FILM100 SONY x64

- SONY 2018 Archive Set x17
- SONY 2018 Archive Set x33
- SONY 2018 Archive Set x64


Generally x64 is used in DaVinci Resolve, x33 in FCPX and Adobe Premiere. Although Premiere can struggle using Luts above x17 in Resolution.

(The greater the resolution (mesh point) the more accurate the colour conversion)



/// FILM Looks:

Ready to use looks in SLOG2 & SLOG3 in camera profiles.
Other profiles availble if using two nodes or layers.


Slog2 SGam3Cine -00 EXP
Slog2 SGam3Cine -01 EXP

Slog3 SGam3Cine -00 EXP
Slog3 SGam3Cine -01 EXP


Because everyone exposes differently we have supplied two levels of exposure, middle (-00 EXP) and darker (-01 EXP). The colour remains unchanged.

There are over 100 film looks suppled. You will notice ‘PUSH’ and ‘PULL’ as well as ‘STD’ with some of the Luts, these are variations on characteristics when you push or pull film.


Some examples are in the Videos above and here.

DELUTS | FILM100 | MULTIVERSE
https://vimeo.com/393282028/d991dff293

Other camera examples:

CANON 1DC CLOG3
https://vimeo.com/332830889/1d664fe021

PANASONIC HLG | DELUTS | LOOKS EXAMPLES https://vimeo.com/392779710/533b85874c

PANASONIC HLG | DELUTS | PALMA
https://vimeo.com/392773722/3e15dd9f63

PANASONIC HLG | DELUTS | SUNSET
https://vimeo.com/392751752/92585a1e4f

PANASONIC HLG | DELUTS | PIER
https://vimeo.com/392712496/8d99514c73

DELUTS | MULTIVERSE
https://vimeo.com/332830889/1d664fe021

https://vimeo.com/326393145/5a53e9a438


As a starting point try ‘Eterna Cinema.cube’ or ‘CLASSIC CHROME.cube’.


Add a layer above the applied Lut or 2nd node to control how bright the scene with the distribution of brightness using curves. General balancing of different shots should be controlled on the 1st Node or Layer 1 under the Lut the simplest way using curves. 


/// Matrix and Looks

For those who would like to mix the transforms themselves we have the transforms and the looks as separate LUTs ready for 2 nodes or layers.


Matrix Transforms:

‘Sony S-Log S-Gamut3 Node 1.cube’
‘Sony S-Log S-Gamut3Cine Node 1.cube’
'Sony S-Log 2 S-Gamut3 Node 1.cube'
'Sony S-Log 2 S-Gamut3Cine Node 1.cube'
'Sony S-Log 3 S-Gamut3 Node 1.cube'
'Sony S-Log 3 S-Gamut3Cine Node 1.cube'


Looks:

Folder ‘LOG BASE B -00 EXP’

Folder ‘LOG BASE B -01 EXP’

Also additional Legacy colour Folder ’LOG BASE A Legacy’.


Just like the combined Look Luts above the Luts are in two different exposures. Middle (-00 EXP) and darker (-01 EXP).

General balancing of different shots should be controlled on the Node above the ‘Matrix Transform’ but below the Look Lut the simplest way using curves. 



/// Finishing LUTs

Use the finishing Luts over the top of the standard manufactures REC709 / REC2020 Luts to quickly give another level of looks to your work. The finishing Luts also work well with the CINE-4 profile.


/// Extras

Also availble to download is the Archive set.
'SONY 2018 Archive Set'

This contains:
171 Looks in CINE 4
137 Looks in Slog2
137 Looks in Slog3

Log conversion to Arri colour matrix. 

The full original zip is also supplied in case you need to matchup a Lut from your own archives. 'DELUTS_CINE4_SLOG2_SLOG3_Rev11.zip'



///  Photoshop / Lightroom ACR profiles (Adobe Camera RAW)

The Set is also available for use with Digital Images for use within Lightroom or Photoshop and any application that uses ACR (Adobe Camera Raw). You won’t be limited to just RAW images you can process your existing Tiffs or JPEGs and give Stock images a totally new look.

How to Install ACR look profiles for Lightroom & Photoshop for use this Camera RAW, locate the package ‘DELUTS ACR Look Profiles’ downloaded from the Sellfy store, look for a zip file or unzipped folder for Mac. Then drag the subfolder also with the same name into the ‘Settings’ folder as located below.

Mac
• (user)/Library/Application Support/Adobe/Camera Raw/Settings

Win
• C:\Users\*username\AppData\Roaming\Adobe\CameraRaw\Settings
(Try above first)

• \Application Data\Adobe/Camera Raw\Settings
• C:Users-[user name]\AppData/Roaming\Adobe/CameraRaw\Settings


When opening .ZIP files generated on a Mac please make sure you delete any files that do not end in ’.xmp’ within the directories. Also on Windows system if you have any trouble place all the ’.xmp’ directly into the Settings folder without any folders or subfolders. The internal way the Looks are created will put them back in order.

On Macs, if the user Library folder is hidden. Hold the Option key down while selecting the “Go” menu in the Finder.


(Please note these presets will not work on older versions of Adobe Camera RAW and Lightroom, If you are a Adobe CC member please update Photoshop, Camera RAW & Lightroom)


For Lightroom CC use import profile under Edit, Profile, drop down for import. Please note these are not standard presents but profiles and thus found under profiles. Some profiles have been omitted from this collection. 

Very quick video on where to find the Preset/Profiles
(ACR DELUTS Classics set, but helpful for location) https://vimeo.com/263744849/d10657fa0f (Lightroom)




/// Note:

Film names are just for reference and do not represent the film stock. Where possible they try and replicated the characteristics. Anyone who knows DELUTS will remember the names I used to give them, well I have run out of place names :)



© DELUTS / JAMES MILLER 2020
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