DELUTS | LOOK LIBRARY | ZCAM

DELUTS | LOOK LIBRARY | ZCAM | FILM100

- New colour science / AUGUST 2020
.cube LUT files

/// THIS SET CONTAINS LUTS FOR:

- ZCAM

ATOMOS ZCAM RAW
ZCAM ZLOG2
VLOG LOOKS (For RAW workflow)


/// BASE STOCKS

AGFA
AGFA PRECISA 100
AGFA VISTA 200

FUJI
FUJI 160
FUJI 400H
FUJI 800Z
FUJI ASTIA 100F
FUJI CHROME
FUJI FP-100C
FUJI SUPERIA 100
FUJI SUPERIA 400
FUJI SUPERIA 1600

ILFORD
ILFORD DELTA
ILFORD NOIR

KODAK
KODAK KODACHROME
KODAK PORTA 400 NATURAL COLOR
KODAK PORTRA 160
KODAK PORTRA 400
KODAK PORTRA 400 ULTRA COLOR
KODAK PORTRA 400 VIVID COLOR
KODAK VISION 2383
KODAK 5207


POLAROID
POLAROID CLASSIC
POLAROID INSTANT

FUJIFILM
ASTIA Soft
CLASSIC CHROME
Eterna Cinema
PRO Neg Hi
PRO Neg Std
PROVIA Standard
Velvia Vivid



/// ELEMENTS:
A new LUT Looks colour base inspired by minerals. Some have stong gamma curves and colours.

Amesite
Anandite
Ardaite
Beryl
Bismuth
Brookite
Brucite
Cadmium
Carminite
Cerium
Creedite
Crocoite
Diamond
Edenite
Fluorite
Galaxite
Gembone
Gold
Gossan
Humite
Indite
Indium
Iranite
Jarosite
Kanoite
Kassite
Kinoite
Lazulite
Lópezite
Magnesium
Margarite
Microlite
Mosesite
Mullite
Neptunite
Nickel
Obsidian
Osmium
Osumilite
Painite
Palladium
Pascoite
Pyrope
Quintinite
Rhodium
Rutile
Shigaite
Silicon
Simpsonite
Thorite
Titanite
Topaz
Umbite
Upalite
Uranium
Vanadium
Vulcanite
Weissite
Xenotime
Zincite
Zircon
Zorite


/// RESOLUTIONS

Supplied in 3 Lut resolutions.

- DELUTS | LOOK LIBRARY | PANASONIC x17
- DELUTS | LOOK LIBRARY | PANASONIC x33
- DELUTS | LOOK LIBRARY | PANASONIC x65

Generally x65 is used in DaVinci Resolve, x33 in FCPX and Adobe Premiere. Although Premiere can struggle using Luts above x17 in Resolution, please save your work regularly when working with LUTs in Premiere.

(The greater the resolution (mesh point) the more accurate the colour conversion)




/// EXAMPLES

Some examples are in the Videos above and here.

DELUTS | MULTIVERSE
https://vimeo.com/393282028/d991dff293

https://vimeo.com/332830889/1d664fe021

DELUTS | FILM100 | MULTIVERSE | LIGHTROOM
https://vimeo.com/394017185/370dcbc529

PANASONIC HLG | DELUTS | LOOKS EXAMPLES
https://vimeo.com/392779710/533b85874c

PANASONIC HLG | DELUTS | PALMA
https://vimeo.com/392773722/3e15dd9f63

PANASONIC HLG | DELUTS | SUNSET
https://vimeo.com/392751752/92585a1e4f

PANASONIC HLG | DELUTS | PIER
https://vimeo.com/392712496/8d99514c73

Canon CLOG
https://vimeo.com/392011901/07dc48ba39


As a starting point try ZCAM/ZLOG2 LOOKS/ASTIA SOFT LTD.cube or ASTIA SOFT STD.cube.

LTD is a more standard gamma curve with a harder roll and the STD is softer lower clip on the roll.


Add a layer above the applied Lut (or 2nd serial node) to control how bright the scene with the distribution of brightness using curves. General balancing of different shots should be controlled on the 1st Node or Layer 1 under the Lut the simplest way using curves. 



/// FINISHING LUTS / END OF CHAIN LOOKS

Various end of chain luts/ finishing luts / over-luts also included.

Use the finishing Luts over the top of the standard manufactures REC709 / REC2020 Luts to quickly give another level of looks to your work.





/// NOTE

Film names are just for reference and do not represent the film stock. Where possible they try and replicated the characteristics. Anyone who knows DELUTS will remember the names I used to give them, well I have run out of place names :)






© DELUTS / JAMES MILLER 2020